The portraits in question will be addressed in the light of the patrons’ and the artists’ awareness of the concept of ‘likeness,’ looking at how this concept shines through as either a symbolic or a veristic identity in the representations of the dukes. In this article, I will concentrate on portraits of the Valois dukes of Burgundy, Philippe the Bold (d. in Paris, London, Vienna and Prague, as testified by the famous portrait of the French king, John the Good (d. Hence, republican veristic portraits celebrate higher status in society. While the faces of the portraits often display. While Rome was still a Republic, only the elders actually held power. Veristic images often show their male subjects with receding hairlines, deep winkles, and even with warts. American Heritage® Dictionary of the English Language, Fifth Edition. Wrinkles were welcome signs of old age, and old age was a sign that the individual was wise. However, in the mid-fourteenth century, veristic portraiture had already re-emerged to supplement symbolic representations of identity in representations of European rulers at the then most prominent European courts, i.e. veristic synonyms, veristic pronunciation, veristic translation, English dictionary definition of veristic. In the history of Western art, one tends to see the renaissance as the time when portraiture starts to denominate representations of particular individuals, one of many rebirths of the Roman Antiquity. and third that veristic portraiture was invented by the Romans in an effort. Abstract Title: Symbolic and Veristic Identity: Portraiture at the Court of Burgundy 1380-1480 HPRC public lecture: Some misconceptions about Roman portraiture - Events.